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Spies in History & Literature ~
The Story of Israel’s
Most Famous Secret Agent – Behind the Scenes of The
Impossible Spy
By Wesley Britton
The Impossible Spy is available on DVD.
The Impossible Spy was chosen for the museum’s
“Spies on Screen” series because it chronicles the
true story of Eliahu ben Shaul Cohen, an important spy under the
proverbial umbrellas of Israel’s intelligence agency, the
Mossad.
During the early 1960’s, Cohen had provided Israel with
valuable information on Syrian military activities and their fortifications
on the Golan Heights. At the time of his arrest in 1965, Cohen had
become so popular among the Syrian leadership that he was being
considered for the post of Deputy Defense Minister, third in line for
the Presidency. Although this umbrella Israel offered was large and
had its influences, it did not keep Cohen out of the rain.
As he would later be captured and have a fateful encounter with
the Syrian Government.
According to the Friends of Elie Cohen Memorial, “on
May 18, 1965, the Government of Syria executed Elie Cohen
despite protests from world leaders and Israel. He was never allowed
a defense at his trial, he was brutally tortured during interrogation in
defiance of international humanitarian law, and his body was never
returned to his family.”
In the words of Amanda Ohlke, Manager of Adult Education for
the International Spy Museum, “The Impossible Spy
captures the story of this unlikely spy – from his hesitant
response to recruitment to his enthusiastic adjustment to life as a
Syrian powerbroker.”
The 18th Anniversary DVD version has just been released by
Janson Media to commemorate the 40th anniversary of the June 5-11,
1967, Six-Day War between Syria and Israel, a war won in large
part because of Elie Cohen. The new DVD release includes material
not available on a previous issue, so those intrigued by this
significant tale of spycraft can now see the award-winning film with
all the bells-and-whistles of modern DVD releases.
How this story came to the screen is a fascinating look into the
dedication of many participants, so – drawing from Harvey
Chertok’s museum remarks and a March 2, 2006, phone
interview – here’s the full story behind The
Impossible Spy
Beginnings
First, what makes The Impossible Spy significant?
In Harvey Chertok’s words, “The enormously
successful Bond films are wonderful, entertaining fantasies –
but The Impossible Spy is quite different –
because it is based upon a true story. Also, as many of you know,
much of the current debate about Stephen Spielberg’s
Munich revolves about its opening on-screen
legend – ‘Inspired By True Events.’ I am
no Stephen Spielberg – far from it. However, both of our
movies were based upon true stories. But neither Munich
nor The Impossible Spy are documentaries
– rather they are what are now called
‘docudramas’ – in that events are
re-created with actors – and with scripts that are based on
as many facts as possible.”
According to Chertok, the inspiration began when his wife,
Bobbi, accompanied him on a business trip to Israel and the
couple happened to have a few days off.
On August 19, 1982, at the Hotel Nof, which
means “View” in Hebrew, the assistant manager
took them to the roof to show how close Jordon, Lebanon, and
Syria were to Israel. “You read about it, you hear about
it,” Harvey said, “but when you actually see it,
it’s incredible how close these countries are. The manager
pointed to the Jordanian border and drew his finger from that
border to the base of the hotel and said it’s only eight miles
from there to here. On that day, the last boat taking the remaining
group of the PLO and Yassar Arafat out of Beirut was leaving, but
there was still scattered military activity going on. My immediate
reaction was obvious to the manager, that I was concerned by the
closeness. He said, ‘Well, you really have nothing to
worry about. We have spies in all these places. Most of the time,
we know what they’re going to do before they know what
they’re doing.”
Then the manager told Chertok if he wanted to read about these
spies, the best was Elie Cohen and there’s a book about him.
Chertok picked up a copy of Our Man in Damascus by
Eli Ben-Hanan, and “I not only became fascinated but just
became obsessed with the idea of making a movie about Elie
Cohen. From that day, August 19, 1982, it took exactly – to
the day – five years when I happily delivered the completed
print to HBO.”
Ironically, Chertok tried to get the rights to the book that started
him on his quest, “but we were unsuccessful with the
author.”
John Shea as Elie Cohen, the Impossible Spy.
Chertok found a young man named Marty Ross to write the
script, a student recommended by a teacher who thought highly
of Ross’s class work in New York. “I worked with
him over eleven drafts until we got it to a point where we all felt
that it was good as we could possibly make it and took it to the
BBC.” Research was an interesting aspect of the process.
“We tried to get facts via The Freedom of Information Act
– on the assumption that because of the U.S.-Israel security
information exchange, there would be a file in Washington about
the spy, Elie Cohen. And, he was not just another spy – he
was Israel’s best. Indeed – there is a CIA file on
Elie Cohen! But after about 6 months of trying to get it, we were
told by the CIA, ‘Yes, we certainly were entitled to receive
the file – but we have a small department – and
there is only one researcher, and he is now on administrative
leave. Also, there are several hundred requests ahead of
yours.’'”
So Chertok and Ross based the script “on personal
interviews with key Israeli officials, newspaper reports in
publications such as The Jerusalem Post and the
New York Times. And, then everything was
fact-checked by the extraordinary Research Department of our
production partner, the BBC. Also, by our very dedicated BBC
Producer, Graham Massey.”
Along the way, Chertok learned eleven other producers had
tried to make a movie about Cohen. During production, he read a
gossip column in the New York Daily News that
claimed another company was in Israel planning to do the Cohen
story. While he wondered how his small, independent company
could pull off what others had not, he decided to pursue his goal
and claimed others failed because they couldn’t get
permission from the Israeli government to film in various locations.
“The scripts, whatever they had, were deemed to be
inaccurate or unsatisfactory. . . we had researched our story as
carefully as possible and by having the BBC as our partners we
had world-wide credibility.”
“Finally,” Chertok recalls, “the script
was read and approved by Yitzhak Rabin, then Defense Minister
of Israel; Shimon Peres, former Prime Minister; and Meir Amit, the
former head of the Mossad, in charge of Elie Cohen’s
mission – who said after he read the script, `That’s
exactly how it happened.’ And, finally, our spy’s
wife, Nadia, had only one script comment for us via her lawyer
– and that was simply, ‘Elie didn’t
smoke.’ So we just removed his cigarettes from the
script – and then received green lights to proceed from the
lawyer and from the Israeli Government.”
The title came from the popularity of Mission: Impossible
and from a simple rule of film making – keep titles short, one,
two, at most three words.
Casting
After the International Spy Museum screening of the film, one
audience member (by name of Debbi Lazar, a well-known
I Spy expert) wondered how it came about that an Irish
Catholic actor (John Shea) got the role of an Israeli playing a
Syrian.
Eli Wallach, as spymaster Yakov, and John Shea, as Cohen, in a
scene from The Impossible Spy.
“John Shea,” Harvey replied, “had
previously portrayed Jewish characters. His first professional acting
job was on Broadway in a play called Yentl. Ten years
later, he starred in the movie The Dreamers, which was
described by some as an Israeli Western. He was on location in
Israel during production of The Dreamers when the
BBC approached him about playing in our film. During down time
while working on The Dreamers, he had traveled
around the Middle East and so he was quite interested and he
looked quite similar to Elie Cohen and that’s how we got
him.”
Director Jim Goddard – who’d previously
worked on the classic Reilly, Ace of Spies
miniseries – wanted the Irish actor as he had worked
with him before in a TV special called Kennedy. Still,
Shea hadn’t been the first choice – Sam Waterson
had that distinction – but Waterson had problems that
cleared the way for Shea. But everyone was happy with Shea’s
work, which resulted in various awards for the actor including the
equivalent of an Oscar in China.
Regarding the role of the Mossad spymaster who recruited
Cohen, “From the beginning, Eli Wallach was a natural
choice for us to play this role. I guess we were three years into the
project, we made a phone call to the Mayor of Tel Aviv who we
happened to know he knew Wallach and he agreed to contact
Wallach. Since that moment, I’ve kept in touch with Wallach
all these years. On location, he was very, very special to all of the
cast and crew and was sort of a grandfather to most of us. He is
perhaps one of the greatest actors of our time. He was very, very
professional, personable, and a very nice guy.”
The casting of all the other characters “were drawn
from the Israeli stage” who’ve gone on to have
good careers in Israeli projects. (See “Supporting Cast”
list below.)
History
One reason The Impossible Spy has a special place
in film history is that its subject remains of importance in Israel.
“On May 18, 1965,” Chertok says, “following
a mock trial, because he had done so much to discredit the Syrian
High Command because of his mission, world leaders including the
Pope asked for a reprieve but he was hung, publicly on television.
He was buried in a graveside outside Damascus, and I was told that
the Israelis subsequently sent a Mossad team of five agents to dig
up and bring back the body for burial in Israel. While one of the
Mossad agents waited in a truck, the others dug up the body and
were carrying it back in the middle of the night. A dog started to bark,
woke up a shepherd, and just by coincidence, a Syrian security van
was alerted and started to chase the four who were carrying the
body as they were running from the van. While they got close, the
agents had to drop the body and race as fast as they could over
Lebanese the border. That, as far as I know, is the only attempt
made to recover the body by the Mossad.”
“Since that time,” Harvey added, “it
has been a priority of the Israeli government to get the remains back.
Cohen has been mentioned in several peace treaties, but
diplomats have been unable to get Syria to return the body. Even
today, The Friends of Eli Cohen website, sponsored by Eli
Cohen’s brother Maurice Cohen and the American
Friends of Eli Cohen Memorial, still seek to have the remains
returned by asking visitors to sign a petition to the Syrian
government.
The New DVD
Some years ago, in 1999, another company (Sling Shot) put out
a DVD version of The Impossible Spy, but Harvey claims
they didn’t do successful marketing, didn’t sell many
copies, and went beyond the scope of their contract.
“However the image on the cover appears on a number of
websites which we are now trying to just include the new DVD
art.”
Harvey warns viewers to avoid the old version as it doesn’t
include the extras on the Janson release, including a nice location
promo film shot during production. It includes interviews with the
cast including one with John Shea, who observes actors and spies
are essentially doing the same job – in the case of spies, the
consequences are worse than bad reviews.
For more information about the film, visit the
official
website of The Impossible Spy.
As the DVD is hot off the press (March 2007), as they say,
it’s not yet on many websites, but that should change
quickly. In the meantime, you can order copies from Janson Media
by calling 1-800-818-4066, or you can visit their
website
for this title.
For more about Harvey Chertok, check out
The
Business of Television.
And a
review of the film was posted at the I
Spy Forum by a member of the International Spy Museum
audience.
I have a short review of the film in my article, “Neglected
Nuggets and Obscure Classics – Collecting Rare Spy
Films”, posted in the Spies on
Film section of this website; here are quotes from other
reviews of The Impossible Spy.
- “A portrait of spies and spying that is as chilling as it is
compelling.”
– The New York Times
- “Not every true story makes a movie as riveting as this
one.”
– The Wall Street Journal
- “A marvelous film told in the grand tradition of a John le
Carré novel. Shea is simply terrific in the role of Eli Cohen.
This is a top-notch thriller made all the more so by its factual
basis.”
– Chicago Sun-Times
- “Fascinating. John Shea is surprisingly effective as Elie
Cohen and Eli Wallach as the leader of Israeli intelligence.”
– The Times-Picayune (New Orleans)
- “A real-life spy thriller cloaked in spellbinding performances.
What ‘The Impossible Spy’ does better than any other
spy movie in recent history is present both sides of the story.
Shea’s performance is remarkably subtle and
fine-tuned.”
– Austin American-Statesman
Ace Award Nominations
The National Academy of Cable Programming ~
- Best Dramatic or Theatrical Special
- Best Writing
- Best Direction
- Best Music (Ace Award)
Addenda ~ June, 2006 ~
Belle Cohen – wife of Eli Cohen’s brother, Maurice
– ran across a page on the now-closed website called
“600000men.com” about Eli Cohen and found it
interesting.
There, after a brief biography of Eli Cohen, in the section entitled
“The Task of the Spy,” there is religious commentary
paralleling the work of Eli Cohen with passages from the Torah. In
part, it reads ~
If we define the fifth day of Iyar, Jewish year 5708 (the day Israel
gained Independence in the secular year of 1948) as the birth date of
a new stage in the ingathering of the exiles or perhaps we should say
about a month earlier on the first day of Nissan, if we give the State of
Israel the status of a king of Israel . . . then it turns out that when the
process of the ingathering of the exiles, which is to say using Kol
Hator’s terminology the footsteps of Messiah son of Yosef,
reached the age of 17, the Syrians killed, Israel’s spy, Eli
Cohen.
In a parallel way it is written by Yosef, “Yosef was
seventeen years old . . . and Yosef brang an evil report about them
to their father.
In that same year when Yosef arrives at Dotan (Genesis 37:17)
“And they saw him from far away, and they conspired against
him, to make him die” (verse 18).
In other words, one of the reasons that they wished to kill Yosef
was because they felt he was similar to a spy.
So too, the place where they threatened to kill Yosef, namely,
Dotan, is connected to the concept of espionage.
Dotan is recalled only one other time in the Bible in II Kings,
chapter 6:
Now the heart of the king of Aram (Syria) was in great stress
over this matter and he called to his servants and said to them,
‘Will you not show me which of us is for the king of Israel?’
And one of his servants said, ‘No, my master, the king, for
Elisha the prophet that is in Israel tells the King of Israel all the
matters that you speak of in your bedroom'’ Then he said,
go and see, concerning him and his whereabouts that I may send
and take him. And it was told him saying, Behold, he is in Dotan.
Of course, the parallels between this passage and the work of Eli
Cohen are obvious. Being no scholar of Jewish texts, I leave it to
others to make of this what they will.
Cast ~
Elie Cohen – John Shea
Yakov – Eli Wallach
General Haled – Sasson Gabay
Nadia Cohen – Michal Bat-Adam
Avram – Rami Danon
Salloum – Haim Girafi
Assan – Jack Cohen
Galela – Anat Barzilay
Nassim – Yossi Kenan
Mme Haled – Judith Millo
Major Massim – Victor Kammar
Rabbi – Shmuel Shillo
Photographs courtesy of Harvey Chertok.
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